Marketing thatleaves a mark

There is no price list, because there is no standard project. A single 3D ad and a full brand system are not the same job, and pricing them from a table would mean overcharging half of you and underdelivering for the rest.

So it works the other way round: you tell me the scope and the budget range you're working with, and I come back with a fixed price for that scope. You see the number before anything starts, and it doesn't move unless the scope does.

Four steps, with fixed checkpoints. We start with a call about what you need and who it's for. You get a written scope, timeline and price. You see the work at set checkpoints and give notes before anything is locked. Then you get the final files.

The point of the checkpoints is that you never wait in the dark wondering what's happening, and I never build a week of work on a wrong assumption.

It depends on scope and on how much is already decided when we start. A single social cut and a launch film are different orders of magnitude.

You get a real date in writing at the plan stage, before any work begins — not a guess on the call. If you're working to a hard deadline, say so in the form and I'll tell you straight away whether it's realistic.

Less than you'd think. Because the shots are built in 3D from scratch rather than filmed, you usually don't need to ship a physical product or book a studio.

What helps most: clear product photos or dimensions, whatever brand assets you already have (logo, fonts, colours), and a sentence on who this is for and what it has to do. If some of that doesn't exist yet, that's a normal starting point too.

Final files in every format and aspect ratio you need — the same asset cut for the placements you're actually running, not one file you have to crop yourself.

If you need an extra ratio or a version for a platform that wasn't in the original scope, ask. It's usually quick.

The work is remote, and quotes come in euros or dollars — whichever suits you. Nothing about the process needs us in the same room.

Calls get booked around your timezone, not mine.

Where it's the right tool and you know about it. AI UGC ads are exactly that, and they're sold as such — creator-style spots without the creator budget.

The 3D work is built in Blender, shot by shot. You'll always know which one you're buying, because it changes what the asset can and can't do.